In a world overshadowed by conventional music industry standards, artist Mk.gee, born Michael Gordon in 1997, is reshaping the narrative of contemporary pop. Hailing from Linwood, New Jersey, his journey into music started young, ignited by a serendipitous technological mishap: at just nine years old, he discovered the wonders of music pirating during the golden age of platforms like LimeWire and Pandora. This formative experience allowed him to cultivate an eclectic library of sounds from artists like Jay-Z, Sly Stone, and Bruce Springsteen.
Mk.gee's distinct approach stands out in the crowded soundscape. His debut album, Two Star & the Dream Police, is an impressionistic sonic journey marked by an experimental ethos; his soundscapes break conventional norms with drifting synths and unconventional guitar riffs. Tracks like "Rylee & I" and "DNM" showcase a raw intensity that immerses listeners, blurring the lines between melody and chaos. As he explains, this unconventionality is intentional: 'I like taking cheap, bad gear and trying to make the best song with it.'
Despite being a relative newcomer, Mk.gee has gained recognition from industry veterans, with artists like Eric Clapton comparing his guitar work to discovering Prince for the first time. This acclaim has culminated in a burgeoning fan base, which finds solace in the unpredictable nature of his music. His recent sold-out tour has only amplified his presence in the indie scene, culminating from years of honing his craft.
Looking ahead, Mk.gee has plans to release new material later this autumn, indicating that his creative journey is just beginning. With an unyielding desire to push boundaries and redefine what it means to be a musician, he remains an enigmatic figure poised to leave a lasting impact on the music world. For a deeper examination of the artist and his thoughts on the music industry, look for the forthcoming Autumn 2024 issue of Dazed.